{"id":888,"date":"2022-10-27T01:23:32","date_gmt":"2022-10-26T23:23:32","guid":{"rendered":"http:\/\/robertmarteau.fr\/?page_id=888"},"modified":"2023-06-23T21:22:17","modified_gmt":"2023-06-23T19:22:17","slug":"peinture","status":"publish","type":"page","link":"https:\/\/robertmarteau.fr\/index.php\/peinture\/","title":{"rendered":"Peinture"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Peinture<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Robert Marteau a toujours entretenu des relations amicales et litt\u00e9raires avec les artistes peintres, sculpteurs....Il cr\u00e9\u00e9 de nombreux livres d'artistes et \u00e9crit sur eux.<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

livres d'artistes<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2017<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Toros. D’une autre plan\u00e8te<\/em><\/strong>. avec Bernard Alligand, Editions d’art FMA<\/a>, 21 ex. num\u00e9rot\u00e9s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2011<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Au-dessus de l\u2019eau<\/em><\/strong>, intervention originale de Bernard Alligand, Paris, \u00e9d. Jean-Pierre Huguet, 21 novembre [tir\u00e9 \u00e0 10 ex. et quelques exemplaires H. C.].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2010<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Torero bless\u00e9<\/em><\/span>, avec des peintures de Bernard Alligand, \u00c9ditions d\u2019art FMA<\/a>, 45 ex. num\u00e9rot\u00e9s.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2008<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00c0 chacun sa surprise<\/em><\/strong>, pr\u00e9sentation d\u2019un portefolio r\u00e9alis\u00e9 par dix artistes travaillant \u00e0 l\u2019Atelier Contrepoint, Paris, \u00e9d. L\u2019Atelier Contrepoint.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2007<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Ayapana<\/em>,<\/strong> 2 sonnets de R. Marteau, 4 peintures de Jean-Paul H\u00e9raud, 14 ex.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2004<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

La Salamandre<\/em><\/strong>, po\u00e8mes de R. Marteau, lithographies de Michel Madore, \u00e9d. Jean-Jacques Serogent.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2003<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Le miroir volatil<\/em><\/strong>, R. Marteau et Fran\u00e7ois Righi, \u00e9d. Le tailleur d\u2019image [tir\u00e9 \u00e0 66 ex].<\/p>

AVE AVIS<\/em><\/strong>, 14 sonnets in\u00e9dits de R. Marteau. accompagn\u00e9s d\u2019encres originales de Philippe Canal [tir\u00e9 \u00e0 31 ex.].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2002<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Le Secret<\/em><\/strong>, texte de R. Marteau, illustration de Jos\u00e9 San Martin, traduction espagnole de Silvio Mattoni, \u00e9d. Azul [tir\u00e9 \u00e0 75 ex.].<\/p>

L\u2019essentiel au D\u00e9tail<\/em><\/strong>, un po\u00e8me de R. Marteau avec une gravure originale de Laurence Dubaut, \u00e9d. L\u2019Ab\u00e9c\u00e9daire [tir\u00e9 \u00e0 25 ex.].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2001<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

L\u2019\u00e9toile dans la vitre<\/em><\/strong>, texte de R. Marteau, images de Pierre Henry [tir\u00e9 \u00e0 23 ex.].<\/p>

Andante<\/strong>,<\/em>\u00a0compos\u00e9 de 8 peintures originales de Augusta de Schucani et d\u2019un texte autographe de R. Marteau [tir\u00e9 \u00e0 21 ex.].<\/p>

Nocturnes des sables<\/em><\/strong>, R. M., Claire Amoss\u00e9, Jos\u00e9 Saint Martin, Saint-Mand\u00e9, \u00e9d. Azul.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2000<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

9 sonnets d\u2019Aunis et de Saintonge<\/em><\/strong>\u00a0avec des peintures Jean-Pierre Thomas, Issy-les-Moulineaux, \u00e9d. La Limace bleue [tir\u00e9 \u00e0 32 ex.].<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1999<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Coccinella septempunctata<\/strong><\/em>, peintures de Jean-Pierre Thomas, Issy-les-Moulinaux, \u00e9d. La Limace bleue [tir\u00e9 \u00e0 30 ex.].<\/p>

Le temps de le dire<\/em><\/strong>, gravure de Hector Saunier, \u00e9d. Commune mesure [tir\u00e9 \u00e0 100 ex.].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1995<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Seul soleil<\/em>,<\/strong>\u00a0un po\u00e8me de R. Marteau avec des gravures de Miguel Buceta, Paris [tirage limit\u00e9].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1994<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Un homme avait deux filles<\/em><\/strong>, texte de R. Marteau parmi des textes et des images de Pierre Henry, Trois Rivi\u00e8res, Le Sabord [110 ex. num\u00e9rot\u00e9s].<\/p>

Propos de La Devini\u00e8re, \u00ab\u00a0Une semaine avant d\u2019autres\u00a0\u00bb<\/em><\/strong>, enlumin\u00e9 par Jo\u00ebl Leick, Paris, Rouleau libre [\u00a0tirage limit\u00e9\u00a0].<\/p>

Croix noire<\/em>,<\/strong>\u00a0po\u00e8me de R. Marteau, intervention de Jo\u00ebl Leick, Paris, [tirage limit\u00e9].<\/p>

Ghrebh<\/em><\/strong>, prose de R. Marteau sur cinq aquatintes de H. Steffens, Avignon, \u00e9d. Comme si [tirage limit\u00e9].<\/p>

C\u0153ur coquiller<\/em><\/strong>, po\u00e8me de R. Marteau sur cinq peintures de Jos\u00e9 Saint Martin, Paris [tirage limit\u00e9].<\/p>

A deux corps<\/em><\/strong>, texte de R. M., illustr\u00e9 par Jo\u00ebl Leick, Paris [tirage limit\u00e9].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1993<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Une semaine avant d\u2019autres<\/em><\/strong>, 7 textes de R. Marteau enlumin\u00e9s par Jo\u00ebl Leick, Paris, Rouleau libre [tirage limit\u00e9].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1965<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Ode Num\u00e9ro 8<\/em><\/span>, po\u00e8me, avec pointe s\u00e8che de Bertholle, Paris, \u00e9d. Du Syrinx,\u00a0[repris dans\u00a0Travaux sur la terre<\/em>].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>
\"Hors de tout chemin trac\u00e9, recueillir comme sous la dict\u00e9e ce que dit l'oeuvre muette devenue parlante, tel est le propos, et tel est le mode selon lequel se constitue la mati\u00e8re du pr\u00e9sent ouvrage\". <\/div>

Robert Marteau, Le Louvre entrouvert<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

catalogues, pr\u00e9faces<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Prose et po\u00e9sie publi\u00e9es dans des revues : Esprit, les Cahiers du Sud, PO&SIE…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2008<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Fran\u00e7ois Righi, parcours<\/em><\/strong>, textes de Robert Marteau, Marie-Jeanne Boistard, Art absolument, n\u00b0 25, juin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2002<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pr\u00e9face \u00e0 La porte dor\u00e9e<\/em><\/strong> de Jean-Marie Fl\u00e9chette, \u00e9d Arfuyen.<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

2001<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pays peints, cousus\u2026<\/em><\/strong>, texte de pr\u00e9sentation d\u2019une exposition de Dagmar Mertens, Marseille, \u00e9d. Galerie Sordini.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1998<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pr\u00e9face de R. Marteau, parmi des textes de Fr\u00e9d\u00e9ric Vallet, Lydia Harambourg, pour l\u2019exposition Jean Bertholle<\/strong> 1909-1996, juillet-septembre, Puy en Velay.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1997<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jean Bertholle<\/em><\/strong>, pr\u00e9face de R. Marteau, La Ciotat, Les cahiers des P\u00e9nitents.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1996<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Les peintures de Rolande Guillossou-Mrazovac<\/em><\/strong>, mai.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1994<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Hans Steffens, peintures sur papier<\/em><\/strong> \u2014 04\/10\/1194 \u2013 05\/11\/1994 \u2014, Paris, \u00e9d. Galerie Lambert Rouland.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1992<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Cath\u00e9drale, photographies d\u2019un choix de sculptures et de po\u00e8mes de Jean Campa<\/em><\/strong>, pr\u00e9face de R. Marteau, Boulogne, \u00e9d. Erda.<\/p>

Minaux, les secrets du m\u00e9tier<\/em><\/strong>, essai, Paris, \u00e9d. Galerie de la Pr\u00e9sidence.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1988<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Est\u00e8ve \u2013 Encres et peintures<\/em><\/strong> 1965-1984, pr\u00e9face de R. Marteau, Paris, Galerie Tendances.<\/p>

Hans Hermann Steffens<\/em><\/strong>, \u00e9d. Galerie La Pochade.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1987<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Bissi\u00e8re, Saisons<\/em><\/strong>\u00a0(21 dessins), introduction de R. M., Paris, \u00e9d. Porte du Sud.<\/p>

Ren\u00e9 Lagorre\u00a0: peintures, format 1 et 5 figures<\/em><\/strong>, Paris, Galerie Charley Chevalier, 2 au 30 juin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1986<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Raymonde Godin, monographie<\/em><\/strong>, introduction de R. M., Paris, \u00e9d. Porte du Sud.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1985<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Albert Marquet, peintures, aquarelles, pastels, dessins<\/em><\/strong> (avec Jean Guichard-Meili), Paris, Galerie de la Pr\u00e9sidence, avril.<\/p>

Paul Kallos, Cimaise<\/em><\/strong>, n\u00b0 174, janvier-f\u00e9vrier.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1984<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Catalogue de l\u2019exposition Paul Kallos<\/em><\/strong>, Metz \u2013 Mus\u00e9 d\u2019art et d\u2019histoire, 4 octobre au 5 novembre\u00a01984.<\/p>

Chagall lithographe V 1974-1975<\/em><\/strong>, par Charles Sorlier, pr\u00e9face de R. Marteau, Monte-Carlo, \u00e9d. Andr\u00e9 Sauret.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1981<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Marc Chagall et Ambroise Vollard<\/em><\/strong>, catalogue des gravures, avec un texte de R. Marteau, Paris, Galerie Matignon.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1979<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

F. Toupin<\/em><\/strong>, Montr\u00e9al, \u00e9d. D. Beno\u00eet.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1976<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Les Ateliers de Marc Chagall<\/em><\/strong>, avec lithographies et frontispice de Marc Chagall, Paris \u00e9d. Fernand Mourlot.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1974<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Exposition Minaux lithographe<\/em><\/strong>, 1948-1973, Monte-Carlo, \u00e9d. Sauret.<\/p>

Jean-Paul J\u00e9r\u00f4me<\/em><\/strong>, catalogue de l\u2019exposition \u00e0 la Galerie Bernard Desroches.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1973<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Roland Gigu\u00e8re, \u0153uvres r\u00e9centes<\/em><\/strong>, 24 mai, Galerie Georges Dor, [L\u2019\u0152il ouvert, Montr\u00e9al \u00e9d. Quinze, 1978].<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1972<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Les vitraux de Chagall 1957-1970<\/em><\/strong>, post-face de Charles Marq, Paris, \u00e9d. A\u00a0. C. Mazo.<\/p>

Jacques Bollo, Menton<\/em><\/strong>, IXe Biennale Internationale d\u2019Art.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1969<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Catalogue pour l\u2019exposition<\/strong> Hommage \u00e0 Ren\u00e9 Char<\/em><\/strong>, Mus\u00e9e de C\u00e9ret du 26 juin \u00e0 la fin septembre.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1968<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Andr\u00e9 Minaux, peintures, sculptures<\/em><\/strong>, pr\u00e9sentation de R. Marteau, Paris, \u00e9d. Maurice Garnier.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1966<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Pr\u00e9face \u00e0 une exposition Guy Varlet<\/strong> \u00e0 la galerie P\u00e9ron, 20 avril-4 mai 1966.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

1963<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Guiramand<\/em><\/strong>, Galerie Andr\u00e9 Weil, 13 juin-13 juillet 1963.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Peinture Robert Marteau a toujours entretenu des relations amicales et litt\u00e9raires avec les artistes peintres, sculpteurs….Il cr\u00e9\u00e9 de nombreux livres d’artistes et \u00e9crit sur eux. livres d’artistes 2017 Toros. D’une autre plan\u00e8te. avec Bernard Alligand, Editions d’art FMA, 21 ex. num\u00e9rot\u00e9s. 2011 Au-dessus de l\u2019eau, intervention originale de Bernard Alligand, Paris, \u00e9d. Jean-Pierre Huguet, 21 …<\/p>\n

Peinture<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"disabled","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"class_list":["post-888","page","type-page","status-publish","hentry"],"yoast_head":"\nPeinture - Robert Marteau<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/robertmarteau.fr\/index.php\/peinture\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peinture - Robert Marteau\" \/>\n<meta property=\"og:description\" content=\"Peinture Robert Marteau a toujours entretenu des relations amicales et litt\u00e9raires avec les artistes peintres, sculpteurs….Il cr\u00e9\u00e9 de nombreux livres d’artistes et \u00e9crit sur eux. livres d’artistes 2017 Toros. D’une autre plan\u00e8te. avec Bernard Alligand, Editions d’art FMA, 21 ex. num\u00e9rot\u00e9s. 2011 Au-dessus de l\u2019eau, intervention originale de Bernard Alligand, Paris, \u00e9d. Jean-Pierre Huguet, 21 … Peinture Lire la suite\u00a0\u00bb\" \/>\n<meta property=\"og:url\" content=\"https:\/\/robertmarteau.fr\/index.php\/peinture\/\" \/>\n<meta property=\"og:site_name\" content=\"Robert Marteau\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-23T19:22:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/robertmarteau.fr\/wp-content\/uploads\/2022\/10\/f96393_032ef8e3613b455b92ba43d236a7f4e1_mv2-1024x576.webp\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/robertmarteau.fr\/index.php\/peinture\/\",\"url\":\"https:\/\/robertmarteau.fr\/index.php\/peinture\/\",\"name\":\"Peinture - Robert Marteau\",\"isPartOf\":{\"@id\":\"https:\/\/robertmarteau.fr\/#website\"},\"datePublished\":\"2022-10-26T23:23:32+00:00\",\"dateModified\":\"2023-06-23T19:22:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/robertmarteau.fr\/index.php\/peinture\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/robertmarteau.fr\/index.php\/peinture\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/robertmarteau.fr\/index.php\/peinture\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/robertmarteau.fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Peinture\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/robertmarteau.fr\/#website\",\"url\":\"https:\/\/robertmarteau.fr\/\",\"name\":\"Robert Marteau\",\"description\":\"Site officiel du po\u00e8te et \u00e9crivain fran\u00e7ais Robert Marteau\",\"publisher\":{\"@id\":\"https:\/\/robertmarteau.fr\/#\/schema\/person\/c547468caeef49b142c01cd676400c19\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/robertmarteau.fr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/robertmarteau.fr\/#\/schema\/person\/c547468caeef49b142c01cd676400c19\",\"name\":\"Robert Marteau\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/robertmarteau.fr\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/robertmarteau.fr\/wp-content\/uploads\/2022\/10\/AVT_Robert-Marteau_5105.webp\",\"contentUrl\":\"https:\/\/robertmarteau.fr\/wp-content\/uploads\/2022\/10\/AVT_Robert-Marteau_5105.webp\",\"width\":500,\"height\":329,\"caption\":\"Robert Marteau\"},\"logo\":{\"@id\":\"https:\/\/robertmarteau.fr\/#\/schema\/person\/image\/\"},\"sameAs\":[\"http:\/\/robertmarteau.fr\",\"https:\/\/fr.wikipedia.org\/wiki\/Robert_Marteau\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Peinture - Robert Marteau","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/robertmarteau.fr\/index.php\/peinture\/","og_locale":"fr_FR","og_type":"article","og_title":"Peinture - Robert Marteau","og_description":"Peinture Robert Marteau a toujours entretenu des relations amicales et litt\u00e9raires avec les artistes peintres, sculpteurs….Il cr\u00e9\u00e9 de nombreux livres d’artistes et \u00e9crit sur eux. livres d’artistes 2017 Toros. D’une autre plan\u00e8te. avec Bernard Alligand, Editions d’art FMA, 21 ex. num\u00e9rot\u00e9s. 2011 Au-dessus de l\u2019eau, intervention originale de Bernard Alligand, Paris, \u00e9d. Jean-Pierre Huguet, 21 … Peinture Lire la suite\u00a0\u00bb","og_url":"https:\/\/robertmarteau.fr\/index.php\/peinture\/","og_site_name":"Robert Marteau","article_modified_time":"2023-06-23T19:22:17+00:00","og_image":[{"url":"https:\/\/robertmarteau.fr\/wp-content\/uploads\/2022\/10\/f96393_032ef8e3613b455b92ba43d236a7f4e1_mv2-1024x576.webp"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/robertmarteau.fr\/index.php\/peinture\/","url":"https:\/\/robertmarteau.fr\/index.php\/peinture\/","name":"Peinture - Robert Marteau","isPartOf":{"@id":"https:\/\/robertmarteau.fr\/#website"},"datePublished":"2022-10-26T23:23:32+00:00","dateModified":"2023-06-23T19:22:17+00:00","breadcrumb":{"@id":"https:\/\/robertmarteau.fr\/index.php\/peinture\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/robertmarteau.fr\/index.php\/peinture\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/robertmarteau.fr\/index.php\/peinture\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/robertmarteau.fr\/"},{"@type":"ListItem","position":2,"name":"Peinture"}]},{"@type":"WebSite","@id":"https:\/\/robertmarteau.fr\/#website","url":"https:\/\/robertmarteau.fr\/","name":"Robert Marteau","description":"Site officiel du po\u00e8te et \u00e9crivain fran\u00e7ais Robert Marteau","publisher":{"@id":"https:\/\/robertmarteau.fr\/#\/schema\/person\/c547468caeef49b142c01cd676400c19"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/robertmarteau.fr\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":["Person","Organization"],"@id":"https:\/\/robertmarteau.fr\/#\/schema\/person\/c547468caeef49b142c01cd676400c19","name":"Robert Marteau","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/robertmarteau.fr\/#\/schema\/person\/image\/","url":"https:\/\/robertmarteau.fr\/wp-content\/uploads\/2022\/10\/AVT_Robert-Marteau_5105.webp","contentUrl":"https:\/\/robertmarteau.fr\/wp-content\/uploads\/2022\/10\/AVT_Robert-Marteau_5105.webp","width":500,"height":329,"caption":"Robert Marteau"},"logo":{"@id":"https:\/\/robertmarteau.fr\/#\/schema\/person\/image\/"},"sameAs":["http:\/\/robertmarteau.fr","https:\/\/fr.wikipedia.org\/wiki\/Robert_Marteau"]}]}},"_links":{"self":[{"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/pages\/888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/comments?post=888"}],"version-history":[{"count":19,"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/pages\/888\/revisions"}],"predecessor-version":[{"id":1116,"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/pages\/888\/revisions\/1116"}],"wp:attachment":[{"href":"https:\/\/robertmarteau.fr\/index.php\/wp-json\/wp\/v2\/media?parent=888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}